Monday, February 2, 2009

Online Sketchbook Prompt Twenty


Jerry BurchfieldUnderstory, Lumen Prints of Florida Flora

“Burchfield has composed a body of work that transcends utilitarian concerns to explore a mysterious creative arena where chance and skill collaborate. From the earliest photographic experiments with light-sensitive materials to modernist fascination with the subconscious to current conceptual practice, Burchfield’s lumen prints suggest the gamut of the history of photography.”—Thomas McGovern

After looking at the work of Jerry Burchfield and the description of his practice, describe his purpose in creation. What is your response to his imagery? How do you think it was created? Do you find it artistically proactive? Why or why not?

Online Sketchbook Prompt Nineteen


“The personal involvement with the making of a photograph is all-important to me—to feel at one with that moment regardless of whether it be excitement, love, fear, or repugnancy.”
-Wayne Miller

After looking at the above work by Wayne Miller, and reading his quote, describe the tone of his imagery.

Online Sketchbook Prompt Eighteen


Shotaro Shimomura, Roadside of Cairo, Egypt, Silver-Gelatine Print, (1883-1944), 6" x 8"

How is this print different from other black and white works you have seen? How do think this image was created? What does this image represent to you?

Online Sketchbook Prompt Seventeen


Roman Vishniac, Berlin, 1922/1960s

Describe the composition used in this piece. Where was the photographer located during the shoot? Do you think this shot was planned? Why or why not? What does this image represent to you?

Online Sketchbook Prompt Sixteen

Michael Wolf, The Transparent City (detail), 2007





Does this image have a sense of voyeurism? Why or why not? How does this image make you feel as the viewer?